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Admin16.08.2021

C Magazine / Every Home a Heartache: Chantal Akerman

There is a sense of memory as both a creative and destructive process because the selection involved in remembering one version of how things happened is also a form of obliteration.
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Admin14.06.2021

C Magazine / Every Home a Heartache: Chantal Akerman

It invites us to consider how subtle the propaganda we are exposed to might be; how effectively images can manipulate their audience.
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Admin16.07.2021

C Magazine / Every Home a Heartache: Chantal Akerman

Legendary for its candour and youthful awkwardness, the lesbian sex scene that closes Je tu il elle is amplified by a highly sensitive soundtrack of shifting bed sheets and heavy breathing.
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Admin24.08.2021

Postscript: Chantal Akerman

At the end of the film, Julie walks away from both lovers.
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Admin21.07.2021

Chantal Akerman:Now

Snow had a remote-controlled machine designed that would free his 16mm camera to move 360 degrees in any and all directions through the rugged terrain.
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Admin04.08.2021

Chantal Akerman:Now

The objects stay still, naturally, while living creatures move in a dynamic dance with the camera.
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Admin05.08.2021

Remembering Chantal Akerman: 8 Films Now Streaming Online

The woman examining her own body in the mirror also seeks the sense of why it is that her gender should define her experience of life.
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Admin23.08.2021

Postscript: Chantal Akerman

Next, the woman makes love to another woman, in a sequence that has similarly attracted a great deal of attention from feminist critics.
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Admin27.07.2021

Retrospective : Chantal Akerman at the New Horizon Film Festival « Fondation Chantal Akerman

The young woman gazes steadily into the mirror and back out at the viewer.
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